Dispatches

If politics today obsesses over the policing of borders, art in France is enacting multiple crossings

By Tom Jeffreys

Nativism and the backlash against contemporary art: AfD, Pegida and a recent protest in Dresden

By Ana Teixeira Pinto
Charles Hossein Zenderoudi, K+L+32+H+4. Mon père et moi (My Father and I), 1962, felt-tip pen and coloured ink on paper on board, 2.3 x 1.5 m. Courtesy: The Museum of Modern Art, New York / Philip Johnson Fund 

As Trump casts his shadow over the city, the art world has found ways to respond

By Evan Moffitt

Hockney’s masthead for The Sun and ways to make the bubble bigger: a cultural report from the capital

By Chris Fite-Wassilak
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