Nicolaus Schafhausen on Germany, origins and individualism as utopia in the work of Kai Althoff

By Nicolaus Schafhausen

Why has abjection gained renewed currency in art?

By Kirsty Bell
Nicholas Deshayes, Cramps (detail), 2015, Mixed Media, three parts, each: 125 x 186 x 10 cm, courtesy: Stuart Shave / Modern Art, London

Why is abjection making a comeback?

By Hannah Black