Mark Bauer installation for Frieze Projects at Frieze London 2017

Frieze Fairs - 07 Oct 2017

South London perspectives on stereotypes, power and ideological systems

Tania Bruguera announces that she is running for president of Cuba; Kader Attia opens an exhibition and events space in Paris

In part two of our special series, Sam Korman argues why the educational responsibility of museums resonates with election issues around race

By Sam Korman
Baghdad Institute of Fine Arts

What is the future of arts education in Baghdad?

By Kaelen Wilson-Goldie

An art education — at what cost?

By Vivian Sky Rehberg
Ronald Cyrille, Talk Shit, 2013,  mixed treatments on Ilford paper, wood  and glass, 42 × 32 cm. Courtesy: the artist and espace d’art contemporain 14°N 61°W, Martinique; photograph: JB Barret

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar on the role of contemporary art in the Caribbean

By Dan Fox
After Butler’s Wharf:  Essays on a Working Building, 2013,  published by Critical Writing students  at the RCA, London

On teaching criticism and ‘art writing’

By Brian Dillon

How do new alternative academies reflect on conventional art education?

A visitor to the Paintings section at TEFAF Maastricht,  2013. Photograph: Loraine Bodewes

De Appel’s new course in art dealing

By Jason Farago

The changing face of graduate exhibitions

By Tom Morton

Redmond Entwistle on the making of Walk-Through (2012), a film about Michael Asher’s ‘Post-Studio’ class at CalArts.

By Mike Sperlinger

A survey of recently founded artist-run art academies and education programmes

By Sam Thorne