Ellen Mara De Wachter

How do you fit 70 exhibitions, 85 partners, 150 artists, and the contents of more than 48 maps and leaflets into 24 hours?

At Jan Mot, Brussels, nine letters written by the artist track the chilling resurgence of Nazism across the globe in recent years

Three current photography shows in London demonstrate how structures of power influence visual culture

frieze video - 07 Mar 2018

Fifty years on, Ellen Mara De Wachter retraces Robert Smithson’s journey to his home town of Passaic, New Jersey, in search of the monuments of his time

Hauser & Wirth Somerset, Bruton, UK

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

Exhibition view, 'Chalet, an exhibition by Jef Geys', 2017, La Loge, Brussels, Belgium. Courtesy: the artist and La Loge, Brussels

La Loge, Brussels, Belgium

Rebecca Solnit and the Not Surprised letter

Tim Rollins and K.O.S., Animal Farm - Kim Jong-Un (after Orwell), 2017, acrylic and watercolor on book pages on linen, 51 x 66 cm, installation view, Maureen Paley, London. Courtesy Maureen Paley, London, © Tim Rollins and K.O.S.

Maureen Paley, London, UK

A walk through London gives presence to those the current government would rather render invisible

31 Women, 2017, installation view. Courtesy: Breese Little, London; photograph: Benjamin Westoby

Breese Little, London, UK

Christopher Kulendran Thomas in collaboration with Annika Kuhlmann, New Eelam, 2017, exhibition view at Hamburger Bahnhof – Museum für Gegenwart – Berlin. Courtesy: the artist and © Nationalgalerie im Hamburger Bahnhof, SMB, Berlin; photograph: Jan Windszus

How the artists GCC, Lawrence Lek, The Propeller Group, Larissa Sansour and Christopher Kulendran Thomas are visualizing a world in which borders n