Advertisement

Ellen Mara De Wachter

An exhibition at Maureen Paley, London, explores the artist collective's well-known wallpaper 'Imagevirus' and its relevance today

By Ellen Mara De Wachter

Five of the best recent artist projects that show alternatives to unsustainable practices

By Ellen Mara De Wachter

On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

By Ellen Mara De Wachter

‘You can’t reason with him but you can ridicule him’ – lightweight as it is, Trump Baby is a win for art as a legitimate form of protest

By Ellen Mara De Wachter

The collaborative practice, led by Helen Walker and Harun Morrison, uses community networks and humour to tackle serious social issues

By Ellen Mara De Wachter

How do you fit 70 exhibitions, 85 partners, 150 artists, and the contents of more than 48 maps and leaflets into 24 hours?

By Ellen Mara De Wachter

At Jan Mot, Brussels, nine letters written by the artist track the chilling resurgence of Nazism across the globe in recent years

By Ellen Mara De Wachter

Three current photography shows in London demonstrate how structures of power influence visual culture

By Ellen Mara De Wachter

frieze video - 07 Mar 2018

Fifty years on, Ellen Mara De Wachter retraces Robert Smithson’s journey to his home town of Passaic, New Jersey, in search of the monuments of his time

Hauser & Wirth Somerset, Bruton, UK

By Ellen Mara De Wachter

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

By Ellen Mara De Wachter
Exhibition view, 'Chalet, an exhibition by Jef Geys', 2017, La Loge, Brussels, Belgium. Courtesy: the artist and La Loge, Brussels

La Loge, Brussels, Belgium

By Ellen Mara De Wachter