Enthusiasm

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‘I was 13, with a group of friends, and it was my first time hearing anything so Black and British – and, also, so working class’

BY Kadish Morris |

‘The world certainly wasn’t perfect but that night I didn’t have to contend with an unmadeness’

BY Ima-Abasi Okon |

‘Some have mattered more to the living Jalal, others to the dead one indulging in jouissance

BY Jalal Toufic |

‘I have always chosen to listen to my heart and stick to my convictions, rather than yielding to reality’

BY Zeng Fanzhi |

‘I felt as though I’d walked in on what the future of art-making could be: a curation of time and space between us and the world in which we exist’

BY Rirkrit Tiravanija |

‘When I read that essay, I literally feel some kind of space opening up: I can breathe’

BY Beatrice Gibson |

‘Through the doors of underworld rose a mind structured by languages inherited from the dead’

BY Forrest Gander |

‘A brilliantly analytical account of how the increasing prominence of English has gradually pushed other languages to a minor role’

BY Vincenzo Latronico |

‘It’s a tenacious act of enthusiasm within Europe’s changing political landscape’

BY Krzysztof Kościuczuk |

‘I would like to dedicate this tribute to all of Zidane’s fans (of whom I am one)’

BY Violaine Boutet de Monvel |

‘Never before has a document of an event given such a vivid sense of what things may look like after we are gone’

BY Ned Beauman |

The artist creates a specially commissioned work for frieze in response to Yoko Ono’s legendary 1965 performance ‘Cut Piece’

BY Wangechi Mutu |

‘These are photographs in which moments – and lives – are constantly moving from then to now, bodies finding echoes in the world around them’

BY Caroline Marciniak |

Enemy Kitchen makes Iraqi culture visible in the US beyond war, producing an alternative discourse and social space.’

BY Michael Rakowitz |

‘This is the passing of time visualized through a contrapuntal freezing of it’

BY Harry Thorne |

‘Every Wednesday, we would drink and watch Italian masterpieces – Fellini, Pasolini, Visconti – without subtitles’

BY Sohrab Mohebbi |

‘Burdekin was a feminist, speculative, dystopian writer of essential texts’

‘It would be easy to cry to this tune, but difficult to dance to it’

BY Patrick Langley |

‘Her strange, thinking surfaces have become the artworks I think about the most’

BY Quinn Latimer |

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts |