EU Reviews

At Museum der Moderne Salzburg, the artist rebels against the limits of traditional media

The artist’s survey exhibition at Mathaf: Arab Museum of Modern Art captures immateriality and the residues of loss

A two-venue homecoming exhibition at Palais de Tokyo and Lafayette Anticipations explores youthful silliness, romanticism and the pitfalls of restoring the past

'Queering Photography’ at C/O Berlin and ‘Queering the Crip, Cripping the Queer’ at Schwules Museum explore representations of identity, gender, disability and sexuality

At Kunsthalle Münster, the artist canonizes contemporary history in his riotous first institutional solo exhibition outside of Poland

An exhibition of the artist’s films at Eye Filmmuseum, Amsterdam, examines the relationship between landscapes, archives and memories

At Astrup Fearnley Museet, the American visual artist interrogates private and performative spaces of engagement

At Thomas Dane, Naples, a group exhibition looks to the found object for inspiration

At Haus am Waldsee, Berlin, the artist's site-specific installation investigates the ‘incurable experience’ of being female

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

At Alma Sarif, Brussels, the artist quietly presents 56 litres of paint

At Kunsthaus Glarus, the artist draws on the authoritarian and curative connotations of serpentine forms

At Galerie Max Mayer, Dusseldorf, a new series of paintings continue the artist's interest in education and pedagogy

At Felix Gaudlitz, the artist’s installation-cum-exhibition blurs the line between display and artwork

At Palace Enterprise, Copenhagen, the artist shines a light on gender bias in male design

At Muzeum Susch, a posthumous retrospective showcases the artist’s liberating use of latex

‘Anka Au Cas Par Cas’, at CAPC Musée d’art Contemporain de Bordeaux, presents the life and career of the critic, curator, gallerist and teacher in all her multitudes

A posthumous retrospective of the artist’s work at Bildmuseet, Umeå, aims to redress the art-historical record

At Tanya Leighton, Berlin, the artist’s labour-intensive portraits suggest an art historical fever dream

Inspired by a cult Sci-Fi TV show, the artist’s first exhibition at Hot Wheels, Athens, warps the simulated/real dialectic