EU Reviews

At Bombas Gens Centre d’Art, Valencia, the artist creates an elaborate send off for a series which followed the ‘courtship’ of two famous monuments

At Kunsthal Charlottenborg, the artist’s ecclesiastical paintings channel the ethereal visions of William Blake and the earthy primitivism of Paul Gauguin

At Barbara Wien, Berlin, the artist reevaluates his love of Leonard Cohen in light of the musician’s stance on Palestine

From Christopher Kulendran Thomas's meditation on art history to an overdue Tom of Finland homecoming

At the centre of the artist’s exhibition at Paris’s Bourse de Commerce is a sophisticated collage of her life in film

At Galleria Massimo Minimi, Brescia, an intervention by Formafantasma celebrates the practice of archiving by looking at how we remember, categorize and read the past

At Bonniers Konsthall, Sweden, the artist’s gravity-defying sculptures create a series of unsettling encounters

At Between Bridges, Berlin, a retrospective of the late artist's work serves as a memorial to his too-short life

In the wide-ranging exhibition in Timișoara, Romania, the voices and experiences of Balkan artists resist Western reductionism

A retrospective in Helsinki cements the erotic artist’s legacy but fails to connect the dots of his complicated life story

At Kestner Gesellschaft, Hannover, the artist’s enveloping installation is at once archaic yet futuristic

Featuring a quintet of Italian artists, a group show at Mai 36, Zurich, makes the case for more unsettled and uncomfortable aesthetic forms

For her first solo show dedicated to ceramics, the artist creates a mosaic of free-wheeling motifs from rudimentary forms

At Mendes Wood DM, Brussels, the artist shares a more nuanced and melancholic vision of Hercules, one of art history’s most triumphant figures

A major retrospective of the artist’s hard-to-define work evidences her shapeshifting nature

At the Museum of Applied Arts, Vienna, the artist’s recent works explore the politics of human production and consumption

A mid-career survey at S.M.A.K., Ghent, posits a new spiritual museology in which we connect to art beyond just representation

From a group show on the psychological and philosophical dimensions of combat in Turin, to Isa Melsheimer’s enchanted ceramics in Vienna

Imbued with cultural history, the artist’s ceramic sculptures embody near-magical properties that hint at a dystopic future