EU Reviews

At Fitzpatrick Gallery, Paris, the artist's overdue retrospective underlies humanity’s compulsive attraction to its technological creations

At Bonniers Konsthall, the artist's ambitious new video installation uses the ancient Chinese tradition of shadow play to map a diasporic imaginary

At MHKA, Museum of Contemporary Art Antwerp, the artist questions how cultural artefacts are transformed by their mode of presentation

At Kunsthall Trondheim, Norway, artists plant sites of refuge in an earth scarred by colonialism

For their first solo exhibition in Switzerland, the artist and energy worker uses multisensory environments to go beyond the fatalistic parameters of representation

The artist's stripped back solo exhibition at Lucas Hirsch, Dusseldorf, imbues generic scenes with personality

At FOMU Photo Museum Antwerp, the artist reveals the contrivances and ambiguities of documentary photography

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

At Galeria Plan B, the artist aims to symbolically transform visitors into a state of extraordinary openness

At Wschód, Warsaw, the artist uses digital tools to develop sculptures that confound scale, visual plane and function

At Halle für Kunst Steiermark, a thematic group exhibition underscores how the COVID-19 pandemic has affected our relationship to the home

At Dortmunder Kunstverein the artist critically reflects on the institutionalisation of racism in Germany

At Ordet, Milan, the artist's works based on the circulation and consumption of energy speak to the power of relations

At Efremidis, Berlin, the artist's new series of lenticular prints revisits the controversy surrounding Kristen Visbal’s Fearless Girl (2017)

At Jan Mot, Brussels, the artist's still lifes reanimate his 1987 installation at New York’s Cable Gallery, giving tangible proof of his fictional narrative

At Karma International, Zurich, the artist’s new series of prints allude to the trauma of grief

At CAPC musée d'art contemporain de Bordeaux, the artist’s wooden works commemorate the links between the region’s wine industry and its colonial history

At MONITOR, Lisbon, the artist's series of experimental paintings mix historic events, current affairs and personal memories

At Mumok, Vienna, the artist uses the elephant as a symbol for the human cost of the textile industry in Taiwan

At Galerie Gisela Capitain, Cologne, the painter displays the medium's expansive possibilities with subtle disturbances in composition and colour