Mira Schor explains the relevance of her Frieze New York 2018 presentation, ‘Unseen Dick Paintings: 1988-91’
‘Very often, the answer to why not would be: because you’re a girl’ – for this series, writer Fran Lebowitz speaks about her experience in the
‘The difficulties are those which remain invisible’: for a new series, writer and curator Andrianna Campbell speaks about her experience in the art
‘The art world is becoming more conservative’: for a new series, the Director of Castello di Rivoli speaks about her experience in the arts
Why have women been written out of internet history?
Renée Green, Alfredo Jaar, Lara Schnitger and Hank Willis Thomas explore protest and collectivity in Frieze New York’s new Live section
At a time of #metoo fearlessness, a collection of female critics interrogate their own fandom for music’s most celebrated sexists
Growing old and growing value
Twenty years after the First Cyberfeminist International at Documenta X, what does Cyberfeminism look like in 2017?
Rediscovering Jo Bondy through her assemblages, box works, and ceramics from the 1960s to 1970s
The New York-based filmmaker has been questioning the politics of image-making for more than three decades