Feminism

‘I hope that, in time, the pendulum settles in a place where male behaviour has shifted and women feel comfortable, respected and empowered’

It’s the first statue of a woman placed in Parliament Square, marking the centenary of women’s right to vote

‘I could be the President of the United States, and still half the people in the room would question my authority’

Mira Schor explains the relevance of her Frieze New York 2018 presentation, ‘Unseen Dick Paintings: 1988-91’

‘Very often, the answer to why not would be: because you’re a girl’ – for this series, writer Fran Lebowitz speaks about her experience in the arts

‘The difficulties are those which remain invisible’: for a new series, writer and curator Andrianna Campbell speaks about her experience in the arts

‘The art world is becoming more conservative’: for a new series, the Director of Castello di Rivoli speaks about her experience in the arts

Why have women been written out of internet history?

Renée Green, Alfredo Jaar, Lara Schnitger and Hank Willis Thomas explore protest and collectivity in Frieze New York’s new Live section

At a time of #metoo fearlessness, a collection of female critics interrogate their own fandom for music’s most celebrated sexists

Growing old and growing value 

Twenty years after the First Cyberfeminist International at Documenta X, what does Cyberfeminism look like in 2017?

As London's Architectural Association celebrates 100 years of female students, rediscovering the city designed by women

Rediscovering Jo Bondy through her assemblages, box works, and ceramics from the 1960s to 1970s

The New York-based filmmaker has been questioning the politics of image-making for more than three decades

Why her impact on art history is inestimable

Virginie Despentes's trilogy, 'Vernon Subutex', and the revival of state-of-the-nation novels 

From Kate Millet to Dear Ivanka, explore new perspectives on feminism and sex-positivity in a playlist by the curator of Sex Work

Four pioneering female artists in a Frieze Talks panel chaired by Alison M. Gingeras, curator of Sex Work

‘It’s important to understand that feminism is not a monolithic movement’