Film

Matt Wolf’s new film, ‘Recorder: The Marion Stokes Project’, is an astonishing portrait of an almost incomprehensible endeavour

By Dan Fox

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

By Hettie Judah

The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda

By Ian Bourland

Marwa Arsanios’s latest documentary offers a powerful glimpse at the autonomous movement now being torn apart

By David Markus

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

By Tom Morton

At New York’s Lincoln Center, the artist’s films speak to the enduring violence caused by forced exile

By Shiv Kotecha

Sponsored Content - 22 Oct 2019

The British filmmaker discusses ‘The Souvenir’, her latest acclaimed picture, at Frieze

A report from this year’s MeetDocs Eastern Ukrainian Film Festival in Kharkiv

By Maxim Edwards

A new wave of stand-up specials, sketch shows and comedy-dramas are dismantling Hollywood’s white monolith, one gag at a time

By Candice Frederick

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

By Hilton Als

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

By Sean O’Toole

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

By Erika Balsom