Film

From clitoris avatars to deep fakes, the non-fiction moving image festival presents a novel use of cutting-edge technology    

By Neelam Tailor

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

By Lynne Tillman

The Korean director’s win marks a return to the expected, after years of films with mixed critical and populist support taking the top prize

By Charles Bramesco
Tony Conrad performing Bowed Film, 1974. Courtesy: The Institute of Contemporary Art, Philadelphia

With wit and gumption, the late artist broke with institutional proprietaries and pedigree to rethink art’s place in its community

By Shiv Kotecha

The first ENTOPIA release showcases the music of Kuro, a film by experimental pop musician Tujiko Noriko and graphic artist Joji Koyama

By Nathan Geyer
Zacharias Kunuk, Atanarjuat: The Fast Runner, 2001. Courtesy: Viviane Delisle and Isuma Distribution International, Montreal

Ahead of representing Canada at the 58th Venice Biennale, the director discusses his 30-year career making films about Inuit life

By Zacharias Kunuk
Djibril Diop Mambéty, Hyènes (Hyenas), 1992. Courtesy: Metrograph Pictures, New york

At Metrograph, New York, Djibril Diop Mambéty’s newly remastered Hyènes offers a darkly comic metaphor of globalization

By Evan Moffitt

The infamous line ‘It is easier to imagine the end of the world than the end of capitalism’ was made for this film

By Gerry Canavan

The boom in cinema magazines dedicated to print

By Erika Balsom
Florian Henckel von Donnersmarck, Never Look Away, 2018. Courtesy: © Buena Vista

Online feuds, real lives and artistic licence

By Jörg Heiser

Twenty years on from the devastating shooting, can its cultural legacy in film and television reframe our present moment?

By Ian Bourland
J.A. Bayona, Jurassic World: Fallen Kingdom, 2018. Courtesy: Universal Pictures

At the American Museum of Natural History, the T. Rex is a resurrecting showman

By Olivia Rodrigues