Film

Christopher Nolan explores his own political and moral uncertainties in this year’s most soul-searching blockbuster

Florence Platarets’s new documentary on the late auteur inadvertently asks whether Cannes Film Festival has lost its taste for radical politics

From Jonathan Glazer's triumphant Cannes debut to the first Sudanese production to be honoured by the festival, here are six films to keep an eye out for this year

The Oscar-winning director trains his unwavering gaze at the site of a tower block fire that claimed the lives of 72 people

In the film adaptation of the 2021 book-length manifesto by academic Andreas Malm, the stylized aesthetic and surface-level backstory of the characters fall flat 

Curator Leonardo Bigazzi and the actor discuss the purpose of art, the illusion of value and the creative imperative for their new art-heist thriller, INSIDE

Released last month in the US, music is the means by which the film narrates the spunky Korean French protagonist’s fraught relationship with her mother culture

Ahead of the UK premiere of ‘Triangle of Sadness’, the Swedish director talks to Rory O’Connor about his latest jab at the mega rich

Patrik Sandberg on his years of friendship with the legendary filmmaker

Rory O’Connor watches the filmmaker’s distinctive oeuvre which brings low-budget austerity to the film festival circuit

Ahead of her presentation in the French Pavilion at this year's Venice Biennale, Zineb Sedira speaks with Róisín Tapponi about the influence of Third Worldist cinema and transnational alliances on her practice 

Caitlin Quinlan speaks to director Joachim Trier about coming of age and how to capture the spirit of a city

With the UK film release of Jack London’s novel Martin Eden, Caitlin Quinlan speaks to the director about the adaption's themes of class, mobility and hazardous individual success

In the lead-up to her film, Bergman Island (2021), director Mia Hansen-Løve talks about the task of capturing youth and the future of cinema

At a time of enforced distancing, Sharon Hayes’s Ricerche: two examines the intimacy of women’s American football teams

Brian Dillon on the television programme’s museum of images and memories 

With preventable fires and flooding destroying many of Brazil's cultural institutions, what's at stake for the country's most significant film and television archive?

Thomas Vinterberg’s latest film about a group of middle-aged men finding happiness through the habitual consumption of alcohol is sentimental and without complexity

In his new film, White Cube, the artist – again – perpetuates the very form of exploitation he is criticizing

The most exciting works of the first online edition of the festival look at strategies of care and ways of refusing neoliberalism