Film

Showing results 421-440 of 466

The artist used low-resolution images in installations and curated film programmes

BY Paul Teasdale |

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples. Dominic Eichler accompanied him on his journey south

BY Dominic Eichler |

With their narrative and perceptual slippages, the films of Emily Wardill deal in condensation and complication

BY Jennifer Higgie |

A report from the 10th edition of the film festival in Wrocław, Poland

BY Paul Teasdale |

Memory, exile and cultural heritage in the films of Fiona Tan

BY Brian Dillon |

The restoration of a documentary about the Nuremberg Trials – 63 years after it was filmed

BY Pádraig Belton |

Films, the expanded field and photographs; falling vases, melting wax and painted cars

BY Morgan Falconer |

Does Michael Haneke’s lauded new film mark a shift away from his earlier critique of mainstream cinema?

BY Bert Rebhandl |

Filmmakers, writers and theorists, The Otolith Group mine the past in order to understand what's yet to come

BY Nina Power |

The best motion pictures and moving images of 2009

BY Stuart Comer AND Rajendra Roy |

Extravagant, experimental and often improvised: the spirit of young artists in British film

BY Michael Bracewell |

Mining the politics of imagery through the works of the late German filmmaker

BY Coco Fusco |

‘The Year of the Flood’ captures very well the way in which climate catastrophe is both inevitable and impossible for us think about

BY Mark Fisher |

Collective memory and amnesia; mapping cities and family life

BY Martin Herbert |

Having risen to youthful notoriety in the 1990s, Alex Bag and Harmony Korine have moved on to something darker and more searching

BY Bruce Hainley |

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice

BY Gerard Byrne |

Amar Kanwar’s multilayered films and installations prompt ‘revelations, of different kinds, for different individuals’

BY Sean O'Toole |

Sedimentation and submersion; the effects of images on the past, the present and the future

BY Kirsty Bell |

frieze asks artists and filmmakers to list the movies that have influenced their practice

The release of the film Chromophobia raises questions about authorship and appropriation

BY David Batchelor |