Film

Showing results 121-140 of 470

‘Black people don’t fear the dead, it’s the living we worry about’

BY Nadia Latif |

Lynne Tillman on the clash between real life and expectation

BY Lynne Tillman |

A recent celebration of the American filmmaker provided a rare opportunity to come face-to-face with a major figure of underground cinema

BY Dan Fox |

The prolific artist championed filmmaking through the lens of feminist theory and queer politics

BY Frieze News Desk |

‘To Carolee, drawing, like painting, was as visceral as breath,’ writes Emma McCormick-Goodhart

BY Emma McCormick-Goodhart |

The pioneering US artist was best known for using painting, film, performance and installation to challenge ideas around sexuality and gender

BY Frieze News Desk |

From a travelogue drenched in the memory of colonialism to a bleak charting of European history in black and white, the festival presents urgent works for uncertain times

BY Chris Sharratt |

The highest-grossing film of 2019 pits a Chinese-led international coalition against the forces of cosmic destruction

BY Gary Zhexi Zhang |

The film adaptation of James Baldwin’s 1974 novel imbricates joyful moments within a fraught political and racialized landscape

BY Kareem Reid |

Screened at Frieze Los Angeles, ‘Take Over (L’Internationale)’ trades in the anthem’s political charge for an elegant rehearsal

BY Jennifer Piejko |

Hear from expert insiders in the city’s cultural landscape, from art to entertainment

In a series of Frieze Film screenings at Frieze Los Angeles, dark impulse triumphs in Madani’s animations

BY Jennifer Piejko |

A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing

BY Dan Hancox |

Narrative is often the conduit for racist ideology, particularly in a Hollywood that favours ‘feel good’ narratives of black life; avoiding it altogether reads, then, like a protest

BY Jacolby Satterwhite |

The multimedia art ‘experience’-cum-independent Soviet state recruited a cast of 400 to live on an enormous film set for years

BY Wilson Tarbox |

The Hollywood Reporter’s Deputy Editorial Director explores art and the entertainment industry - and gives her Oscar predictions

A 1979 televisual essay by the cultural theorist offers insight into black politics and representational struggle in the British media

BY Rianna Jade Parker |

‘Your songs are always full of colour and samples, beats and melodies, dizzying rhythms and more melodies still’

BY Sukhdev Sandhu |

‘It offers up a lifetime’s worth of thinking about the incommensurate relationship between filmic time and time as it is lived and experienced’

BY Aram Moshayedi |

Scheming dealers, demonic sculptures and filthy lucre: in Dan Gilroy’s Faustian tale, art takes murderous revenge

BY Ellen Mara De Wachter |