Film

Based on the 2014 Badaun gang-rape allegations, ‘Article 15’ fails to disrupt its ‘Brahmin saviour’ narrative

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes

New award offers support and platform to 10 artists, whose works will be screened at Frieze Los Angeles 2020

From clitoris avatars to deep fakes, the non-fiction moving image festival presents a novel use of cutting-edge technology    

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

The Korean director’s win marks a return to the expected, after years of films with mixed critical and populist support taking the top prize

With wit and gumption, the late artist broke with institutional proprietaries and pedigree to rethink art’s place in its community

The first ENTOPIA release showcases the music of Kuro,a film by experimental pop musician Tujiko Noriko and graphic artist Joji Koyama

Ahead of representing Canada at the 58th Venice Biennale, the director discusses his 30-year career making films about Inuit life

At Metrograph, New York, Djibril Diop Mambéty’s newly remastered Hyènes offers a darkly comic metaphor of globalization

The infamous line ‘It is easier to imagine the end of the world than the end of capitalism’ was made for this film

Against a growing digital landscape, cinema magazines dedicated to print are on the rise

Online feuds, real lives and artistic licence

Twenty years on from the devastating shooting, can its cultural legacy in film and television reframe our present moment?

At the American Museum of Natural History, the T. Rex is a resurrecting showman

This annual celebration of cinema has become a vital destination for those invested in the artistic possibilities of the documentary form

The television show – the director’s first – is a sequel to his 1997 film of California queer disillusion, Nowhere

Varda (1928-2019) provided a blueprint for an experimental, politically-radical, idiosyncratically personal and wide-eyed humanist cinema

Once labelled a ‘TV terrorist’, the video artist returns with her first posthumous retrospective at Red Bull Arts New York