Frieze Masters Magazine

The oldest known face of a woman

The difficulties of defining and exhibiting Indian Modernism

Collagist John Stezaker and writer-curator David Campany discuss the legacy of Surrealist encounters with photography

1913, a year of cultural, artistic and technological revolution that transformed the world

In the early 20th century, Hilma af Klint created abstract paintings under the direction of a spirit guide. What impact does the Swedish artist’s work have on the art-historical canon?

The cats of Louis Wain

How the display of art in previous centuries can help us rethink the exhibition industry

The intertwined histories of art criticism and poetry

The Director of the National Gallery, London, discusses his favourite writers and paintings, and shares his thoughts on contemporary art

A new book illuminates Louise Bourgeois' relationship to psychoanalysis

In praise of anachronism: how a number of recent exhibitions have been integrating the past with the present

The former director of Nottingham Contemporary shares his notes on the nature and evolution of the artist's studio

More and more artists are re-enacting iconic performances. What does this mean for ‘art of the present tense’ and its relationship to the past?

Brian Dillon visits art historian and novelist Marina Warner to talk about the art, books and objects that have shaped her thinking

17 artists write about works of art that have influenced them

Jonathan Romney evaluates cinematography's ability to accurately capture other mediums