Hamburger Bahnhof

German museums are being pushed to diversify their canons and respond to a globalized world – but is ‘cleaning up’ the answer?

Hanne Darboven, environment > 80 <, posthumously, 1987, detail, pen on paper and collage, 56-section, National Museums in Berlin, Nationalgalerie, 1988 acquired by the State of Berlin © National Gallery in the Hamburger Bahnhof, SMB / property of the State of Berlin / Jörg P. Anders Hanne Darboven Foundation, Hamburg / VG Image Art, Bonn 2017

Berlin

19 May
27 Aug
Adrian Piper, The Probable Trust Registry: The Rules of the Game #1-3, 2013-2017. Courtesy: Staatliche Museen zu Berlin Collection, Nationalgalerie's Friends, Adrian Piper Research Archive Foundation Berlin and APRA Foundation Berlin

Hamburger Bahnhof, Berlin

Artists' Film - 31 Oct 2016

For frieze, Nathan Corbin provides an exclusive video showing the latest work by Anne Imhof, who will be representing Germany at the 2017 Venice Biennale

Essay - 25 Oct 2016

Pablo Larios explores Anne Imhof's exhibition-as-opera at Hamburger Bahnhof, Berlin

Why bother with art prizes or residencies?

Google returns Dennis Cooper's blog data; Gagosian to throw a benefit auction for Hillary Clinton

Gülsün Karamustafa, Double Reality, 1987/2013. Photograph: Mustafa Hazneci

The patriarchal house of cards underlying the Turkish coup and Brexit

William Pope.L, Migrant, 2015, performance documentation

Hamburger Bahnhof, Berlin, Germany

For 20 years, Wolfgang Tillmans’s photography has been a sustained meditation on observation, perception and translation