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Hammer Museum

Adrian Piper, Everything #2.8, 2003, photocopied photograph on graph paper, sanded with sandpaper, overprinted with inkjet text, 22 x 28 cm. Courtesy: © Adrian Piper Research Archive Foundation Berlin

Los Angeles

7 Oct
6 Jan

Born in Venezuela in 1920, emigrating to New York at the age of nine, the artist ranged gracefully across the mid 20th century

By Chris Wiley

For the 2018 edition of the biennial, it’s as if artists feel the need to resolve situations formally where they can’t be resolved for real

By Travis Diehl

Meticulous, gently humorous paintings isolate a deeply personal encounter with the obdurate structures of society and culture

By Jonathan Griffin

Ahead of her presentation at Centre Pompidou in June, the artist and choreographer talks about slowness, detail and the anti-spectacular

By Harry Thorne
Kapwani Kiwanga, Flowers for Africa: Nigeria, 2014, written protocol signed by the artist, iconographic documents, dimensions variable. Courtesy: the artist and Galerie Jérôme Poggi; photograph: © Aurélien Mole

At the Hammer Museum, LA, the curator casts a witty, critical eye on the vexed role of institutions contextualizing the art they display

By Jonathan Griffin

In further news: Jef Geys (1934–2018); and Hirshhorn postpones Krzysztof Wodiczko projection after Florida shooting

Los Angeles

28 Jan
6 May

Los Angeles

20 Jan
20 May

Los Angeles

20 Jan
13 May

Los Angeles

20 Jan
6 May

Former V&A director Martin Roth has died; Montreal Biennale struggles with debt; National Academy artists defend Dana Schutz