Hannah Black

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Ahead of the release of their new publication, Poor Artists, Gabrielle de la Puente and Zarina Muhammad share a list of the things that have inspired them

BY The White Pube |

Paired together at Meredith Rosen Gallery, New York, Friedman-Pappas explores the continuing drive toward industrialization while Black critiques the world of racial capitalism born from it

BY Jessica S. Kwok |

The artist and author’s new novella, ‘Tuesday or September or The End’, imagines an alternative collective future

BY Travis Diehl |

From Hannah Black to Not Surprised, the changes demanded by today’s letter writers are still a long way from being assured

BY Ellen Mara De Wachter |

In other headlines: Trevor Bell (1930-2017); further allegations of sexual harassment in the art world; The Walker’s Olga Viso steps down

Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern’s ‘Black Art, Black Power’ conference

BY Ellen Mara De Wachter |

Rózsa Farkas talks about Frieze Tate Fund’s acquisition of Hannah Black’s Intensive Care/Hot New Track (2013)

Tate Senior Curator Andrea Lissoni reveals the four works acquired at Frieze London 2017

Lawrence Abu Hamdan, Hannah Black, Mary Beth Edelson and Dorothy Iannone selected by jury

Whitney Museum of American Art, New York, USA

BY Adam Kleinman |

The Emmett Till painting saga continues; Guggenheim Abu Dhabi ‘should be postponed or downsized’ says former director

Trisha Brown has died, aged 80; two new appointments at London’s ICA; controversy at the Whitney

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A report from the festival on feminism and public space in Hamburg

BY Chloe Stead |

Why is abjection making a comeback?

BY Hannah Black |