Harry Thorne

Kunstmuseum St. Gallen, Switzerland

A guide to the best projects included in Skulptur Projekte Münster 2017

The second of our editors’ first impressions from Kassel, Harry Thorne on the Neue Neue Galerie

X-ray records in the Soviet Union

Illustration by Lauren Rolwing

A defence of naivety in the age of information

Claus Richter, Your little helper (Robot), 2017, steel, electronic components, loudspeaker, LED, plastic, wood ca. 65 x 55 x 55 cm. Courtesy: Clages, Cologne

Clages, Cologne, Germany

The first in our series of reports from the Venice Biennale: the best of the National Pavilions in the Giardini

Ahead of Berlin Gallery Weekend, a guide to what to see across the German capital

The second in a series of our editors’ initial impressions from documenta 14 Athens, Harry Thorne on the Athens Conservatoire

Maeve Brennan, The Drift, 2016, video stills. Courtesy: the artist; produced by Chisenhale Gallery, London, and Spike Island, Bristol; commissioned by Chisenhale Gallery, London, Spike Island, Bristol, The Whitworth, Manchester, and Lismore Castle Arts

A new film by Maeve Brennan reflects on lives caught up in the conflict in Lebanon

Chto Delat, This Hasn’t Happened to Me Before: Safe Haven, 2016, video, 36 min. Courtesy: the artist 

Garage Museum of Contemporary Art, Moscow, Russia

Thoughts on the difficulties of introducing art into the public realm, following a recent symposium organized by Oslo Pilot