From Celeste Rapone's evocation of not-so-blissful domesticityat Josh Lilley, London, to Leo Robinson’s dense webs of allusion and appropriation at Chapter, Cardiff
From Sonia Boyce’s triumphant Venice installation at Turner Contemporary, Margate, to an exhibition that channels artists’ spiritual relationship with nature at Modern Art, London
Is contemporary art a reaction to social, political and local specificities or is it active in creating new utopic, progressive impulses? The BAS9 aspires to ask both
In further news: Stedelijk explains why it cancelled Ettore Sottsass retrospective; US National Gallery of Art cancels Chuck Close and Thomas Roma exhibitions after sexual misconduct claims