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Interview

The celebrated curator and former director of the Moderna Museet on why he moved to London to explore the possibilities of art and technology 

By Jennifer Higgie

In ‘Donna Haraway: Story Telling for Earthly Survival’, the feminist theorist discusses ‘living well and giving heart’

By Hestia Peppe

A new show at the Japan Society in New York reflects a career’s research into the emergence of the Japanese avant-garde

By Dr Cleo Roberts

The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’

By Hettie Judah
Oliver Beer, Household Gods (Grandmother), 2019, 16 vessels. All images courtesy: the artist and Galerie Thaddaeus Ropac, Paris/Salzburg/London

In the lead-up to his solo show at The Met Breuer, Oliver Beer talks to Jennifer Higgie about the artists, writers and composers wh

By Jennifer Higgie

Carlos Pazos, Milonga, 1980, hand-coloured photograph with collage and fluorescent light, 1.1 × 1 m. Courtesy: © Carlos Pazos, A+V Agencia de Creadores Visuales, 2019

 

As an exhibition of works selected by the Spanish author opens in London, he discusses realism, ambiguity and why he doesn’t want to be a ‘curator’

By Amy Sherlock

The artist’s films at Camden Arts Centre evoke anxiety in the face of world events and the tenderness of collective living

By Ellen Mara De Wachter

‘If anything can be converted to DNA, then this interview could become a DNA portrait of you’

By Lynn Hershman Leeson

With a show opening at Hollybush Gardens tomorrow, the artist discusses her career addressing social and political issues through performance

By Isobel Harbison

The Athens-based artist discusses how desire figures in her new film, the relationship between writing and images and the influence her home city h

By Quinn Latimer

The radical filmmaker, teacher and writer talks essentialism in identity politics and why her films are neither documentary nor fiction

By Erika Balsom
Sue Williams, These, 2018, oil on canvas, 1.8 x 2 m. Courtesy: Skarstedt, London © Sue Williams, 303 Gallery, New York

On view at Skarstedt’s London gallery, US artist Sue Williams’s latest body of work reflects a battle against ‘hating everything’ 

By Hettie Judah