Advertisement

Interview

Daniel Birnbaum, curator of the first Frieze VR exhibition, Electric, speaks to artist Rachel Rossin about VR's past, present and future 

 

By Daniel Birnbaum

Ahead of co-curating Diálogos at Frieze New York, Charpenel talk to the Puerto Rican psychiatrist César Reyes about the intertwining of art and cultural inheritance 

By Patrick Charpenel
Rahime, Kurdish Woman from Turkey (detail), 1979, photographs, pencil, coloured pencil, paint and mixed media on cardboard, dimensions variable. Courtesy: the artist and Vehbi Koç Foundation Contemporary Art Collection, Istanbul; photograph: Hadiye Cangök

The artist takes us through her multi-faceted practice, now on view in her retrospective at Museum Ludwig, Cologne 

By Övül Ö. Durmuşoğlu

Two UK exhibitions feature works in which the London-based artist engages with the British landscape

By Hettie Judah
Keller Easterling, MANY,  2019, installation shot. Courtesy: Wrightwood 659, the School of the Art Institute of Chicago and the University of Chicago; photograph: © Tom Harris

Following her fellowship grant from United States Artists and an exhibition at Wrightwood 659, the designer and theorist discusses solutions to right-wing immigration policies and neoliberal econom

By Evan Moffitt and Keller Easterling

As leading arts institutions decline donations over opioid links, the artist and activist on why the age of using culture for ‘reputation laundering’ is over

By Chris Sharratt

Lorraine Connelly-Northey’s fusion of traditional knowledge and contemporary Australia 

By Claudia Arozqueta

The celebrated curator and former director of the Moderna Museet on why he moved to London to explore the possibilities of art and technology 

By Jennifer Higgie

In ‘Donna Haraway: Story Telling for Earthly Survival’, the feminist theorist discusses ‘living well and giving heart’

By Hestia Peppe

Negar Azimi visits the Damascus-born artist ahead of her retrospective at MoMA PS1

By Negar Azimi and Simone Fattal

A new show at the Japan Society in New York reflects a career’s research into the emergence of the Japanese avant-garde

By Cleo Roberts

The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’

By Hettie Judah