Isobel Harbison

Performed images in contemporary art and everyday life

By Isobel Harbison

With a show opening at Hollybush Gardens tomorrow, the artist discusses her career addressing social and political issues through performance
 

By Isobel Harbison

A 1926 boozy sketch for a commission intended for the League of Nations building in Geneva was declined for being ‘too bacchanalian’

By Isobel Harbison

Post-Grenfell, mid-Windrush and pre-Brexit, a day-long forum in London invited artists and organizations to re-imagine the communities we live in

By Isobel Harbison

A multi-faceted collaboration between Matthew Barney, Ragnar Kjartansson and the Iceland Dance Company reflects on ritual and religion

By Isobel Harbison

The solace of Boris Charmatz’s danse de nuit in light of the Manchester atrocity

By Isobel Harbison
Geta Brătescu, Towards White (Către alb), 1975, black and white photographs. Courtesy: Collection of the National Museum of Contemporary Art Bucharest 

Camden Arts Centre, London, UK

By Isobel Harbison
Rose Lokonyen Nathike carries the flag of Refugee Olympic Team during the opening ceremony for the 2016 Summer Olympics in Rio de Janeiro, Brazil, Friday, Aug. 5, 2016. (AP Photo/David J. Phillip)

The images of Team Refugee at the Olympics offers a glimmer of hope in a gloomy summer

By Isobel Harbison

Simon Lee Gallery, London, UK

By Isobel Harbison

Fondazione Memmo, Rome, Italy

By Isobel Harbison
Birdsssss, 2013,  hand-tufted wool, 5 × 3.9 m. Courtesy: the artist and Smiths Row, Bury St Edmunds; photograph: Doug Atfield

Theatrical textiles and characters in clay

By Isobel Harbison
Talks

A panel discussion on the aesthetic and economic phenomenon of the stock image