Issue 244

In his survey at Museo Universitario Arte Contemporáneo, Mexico City, the artist explores the nationalistic archetypes of authoritarian regimes and the individuals expected to conform to their schemas

At [tart vienna], the self-taught artist privileges free and direct expression over conservation and legibility

The artist has turned Punta della Dogana in Venice into a world of autonomous AI installations and isolated marine creatures

The eighth edition makes novel use of cacophony, disorientation and deferred gratification

At MOCA Toronto, a triennial explores the cultural milieu of a city increasingly troubled by gentrification and real-estate development

Project Native Informant in London showcases feature-length films that illustrate the artist’s successful transition from a pornographic to dystopian cyberpunk aesthetic

The artist’s exhibition at Blum, Los Angeles, traces four decades of gestural painting that’s neither purely abstract nor figurative

Two videos at Gladstone Gallery, Seoul displace their viewers into the role of aides to the algorithm

The artist transforms The Modern Institute in Glasgow into a studio and living room decorated with references to his peers and heroes 

A Cape Town retrospective showcases the diverse accomplishments of an artist whose Ndebele-inspired graphical style led to collaborations with BMW and Comme Des Garçons

At Galerie Rudolfinum, Prague, the artist offers a bitter comment on the way that the ongoing violence in Ukraine has been normalized over time

Inspired by Virginia Woolf, the artist’s prints at Herald Street in London explore themes of life, death and the allure of possessions throughout history

At Kunstmuseum St. Gallen, the artist’s sculptures using his own hair highlight the intricate dance between roots and routes

At Print Center New York, the artist weaves histories, mythologies, politics and ecologies into intricate, interconnected cosmologies

At Haus der Kulturen der Welt, Berlin, a sprawling group exhibition explores relationships between the German Democratic Republic and socialist states in the Global South

At The Common Guild in Glasgow, the artist’s sculptures combine traditional female reclining nudes with tools of service labor

A mood of tranquillity permeates the young artist’s rich and uncanny exhibition at Tate Britain