James Baldwin

The film adaptation of James Baldwin’s 1974 novel imbricates joyful moments within a fraught political and racialized landscape

By Kareem Reid
Theo Eshetu, Atlas Fractured, 2017, still from video projected on a banner as part of documenta 14, Kassel, 2017. Courtesy: the artist and Tiwani Contemporary, London

On sonic trajectories and resistance

By Bonaventure Soh Bejeng Ndikung

From Alexander Kluge on poetry to Hannah Arendt on totalitarianism: what to read this weekend

By Paul Clinton