James Bridle

Showing results 1-16 of 16

From environmentalist epics to Norse mythology and the re-emergence of Russian cosmism: John Holten surveys the best books of 2018

BY John Holten |

At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines

BY Hettie Judah |

At an event hosted by the ICA in London, the whistleblower and activist talked about the dangers of technology and how the US is now ‘like a prison’

BY Ellen Mara De Wachter |

‘Spellbound’ at the Ashmolean Museum, Oxford, traces magic and ritual from the Middle Ages to today

BY Hettie Judah |

In our devotion to computation and its predictive capabilities are we rushing blindly towards our own demise?

BY Nathaniel Budzinski |

Thoughts on #MeToo, Tom Hanks’ typewriter reveries and algorithmic citizenship: what to read this weekend

At the Serpentine Marathon, artists and scientists considered AI, paranoia and the supernatural in an age of machine learning

BY Hettie Judah |

With our increasingly porous objects, ubiquitous networks and ambivalent organisms, why artists are drawing inspiration from extra-human agencies

BY Gary Zhexi Zhang |

Daniel Culpan wins the 2016 prize for his review of Nicole Eisenman's ‘Al-ugh-ories’ at New Museum, New York

James Bridle, a judge of this year’s Frieze Writer’s Prize, explains how he became a writer

BY James Bridle |

How the crisis in Greece is prompting young Athens-based artists to find new spaces for communal reflection

BY James Bridle |

Frieze Writer’s Prize 2016 is open for entries

Labyrinthine associations and elastic meaning in the work of Heather Phillipson

BY James Bridle |

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances

What do drones see? And how can we see them?

BY Christy Lange |