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James Bridle

sub-fusc love-feast, 2014, installation view at  Dundee Contemporary Arts. Courtesy the artist and Ruth Clark

Labyrinthine associations and elastic meaning in the work of Heather Phillipson

Justin Berry, Stone Shields, 2012, ink on archival Baryta  paper, 38 × 31 cm. Courtesy: the artist

Video Game Photography

Ian Cheng, This Papaya Tastes Perfect, 2011, still from motion capture animation

How will stories be told in the future?

Trevor Paglen, Untitled (Reaper Drone), 2010, c-type print, 1.2 × 1.5 m. Courtesy: the artist, Altman Siegel, San Francisco, Metro Pictures, New York, and Galerie Thomas Zander, Cologne

What do drones see? And how can we see them?

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