Amidst public criticisms, open letters and Miriam Cahn pulling her work, Kito Nedo explores why Switzerland’s largest art museum is still displaying Emil Bührle's controversially acquired collection
A touring retrospective at Kunsthalle Bremen and Gemeentemuseum Den Haag reveals the comic side of the artist’s work and its unique position in the history of German painting
In the face of creeping far-right thinking, an exhibition in Munich underscores the role contemporary art can play in ensuring historic atrocities are never forgotten
With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities