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Laura Poitras

The Eyebeam Center for the Future of Journalism is on a mission to support artists who engage with investigative reporting

By Orit Gat

The filmmaker on being placed on a terror watch list, aesthetic approaches, and Julian Assange’s gender politics in her new documentary Risk

By Yohann Koshy

Murakami's vanishing women, Paddington's immigrant story, and Emmanuel Macron's ruthless political will: what to read this weekend

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Whitney Museum of American Art, New York, USA

By Amy Zion
Trevor Paglen, National Geospatial-Intelligence Agency, Springfield, Virginia, 2013, c-type print, 46 × 69 cm

Kunsthalle Düsseldorf, Germany

By Pablo Larios
Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect.

By Jörg Heiser
Laura Poitras, My Country, My Country (Abu Ghraib Prison), 2006, film still. Courtesy: the artist

How art in 2013 reflected economic inequalities and suggested alternative ways forward

By Ben Davis