Maren Ade

The Revenant to Toni Erdmann to Elle: a look back at the year's best films

By Bert Rebhandl

On Maren Ade’s Toni Erdmann, the critics’ favourite at this year's Cannes Film Festival

By Esther Buss

Will this be the year that a woman wins the Palme d’Or at Cannes?

By Jennifer Higgie