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Contributor
Esther Buss

Esther Buss works as a freelance film and art critic in Berlin.

On Maren Ade’s Toni Erdmann, the critics’ favourite at this year's Cannes Film Festival

BY Esther Buss |

On the films of Daniel Hoesl and the European Film Conspiracy

BY Esther Buss |

Philip Scheffner’s film Havarie is a self-aware representation of the way Europe is dealing with the refugee crisis

BY Esther Buss |

Experimental film, now in 3D

BY Esther Buss |

Casting light on the hidden narratives of power: the films of Jan Peter Hammer

BY Esther Buss |

Über No Home Movie, den letzten Film von Chantal Akerman, auf der Viennale 2015

BY Esther Buss |

Zu den Filmen von Philip Scheffner

BY Esther Buss |

Sex work in the service age: Tatjana Turanskyj’s new film Top Girl

BY Esther Buss |

Les Salauds von Claire Denis Einer der finstersten Filme des Jahres. 

BY Esther Buss |

Ramon Zürcher’s choreography of motion and stasis in Das merkwürdige Kätzchen

BY Esther Buss |

Tracing the vexed routes of global fashion exchange

BY Esther Buss |