Maureen Paley

Our guide to the shows not to miss, from Tania Bruguera’s Turbine Hall commission to Amy Sillman’s canvases at Camden Arts Centre


The artist-investigator tunes his work to the undocumented, the surveilled, immigrants and prisoners; those fleeing the talons of the state

In our era of easy outrage, the first statue of a woman in Parliament Square is a timely celebration of unwavering belief

Anne Hardy, Area of Overlap (2018) Super 16mm film transferred to digital projection with 6 channel (5.1) audio  7:21 min exhibition view: Maureen Paley, London, 2018 © Anne Hardy, courtesy Maureen Paley, London


10 Apr
20 May
Kaye Donachie, Silent As Glass, exhibition view: Maureen Paley, London 2018 © Kaye Donachie, courtesy Maureen Paley, London


17 Feb
29 Mar
Michaela Eichwald, Die Unsrigen sind fortgezogen (2014) acrylic, spray paint, lacquer and ball paint on pleather, 330 x 138 cm


13 Jan
10 Feb

In other news: the inaugural Lahore Biennial will go ahead and the controversially cancelled Max Stern exhibition is back on

Andrew Grassie, Studio Proposal 4 (2017) tempera on paper on board framed: 24.3 x 30.7 cm © Andrew Grassie, courtesy Maureen Paley, London


18 Nov
7 Jan
Tim Rollins and K.O.S., Animal Farm - Kim Jong-Un (after Orwell), 2017, acrylic and watercolor on book pages on linen, 51 x 66 cm, installation view, Maureen Paley, London. Courtesy Maureen Paley, London, © Tim Rollins and K.O.S.

Maureen Paley, London, UK

Tim Rollins and K.O.S., ANIMAL FARM - KIM JONG-UN (after Orwell), 2017, acrylic and watercolor on book pages on linen 50.8 x 66 cm © Tim Rollins and K.O.S., courtesy Maureen Paley, London


30 Sep
12 Nov

Nicholas Serota calls for freedom of movement to be protected after Brexit; Franco ‘Bifo’ Berardi resigns from DiEM25; Pierrette Bloch dies

What draws us to certain stories, and why do we retell them?