Melanie Gilligan

Lu Yang, UterusMan, 2013, 3D animation still

Fridericianum, Kassel, Germany

By Noemi Smolik
Carissa Rodriguez, It’s Symptomatic / What Would Edith Say, 2014, permanent ink marker on inkjet print mounted on aluminium, wood brace, 1.5 × 1 m

Bortolami, New York, USA

By Laura McLean-Ferris
Anja Kirschner & David Panos The Empty Plan, 2010, Production still

In recent years, artists in the UK have increasingly turned to narrative cinema and mainstream TV, a shift that has coincided with a renewed interest in the video and new-media practices of the 197

By Dan Kidner

Why hasn’t art responded to the rise of the complex TV of the HBO era?

Melanie Gilligan, Prairial, Year 215 (2007)

The Drawing Room, London, UK

By Chris Fite-Wassilak