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Ming Wong

Kirsty Bell, Ahmet Öğüt, Ming Wong and Slavs and Tatars share their highlights of the coming year’s shows: can we break with art-business as usual?

With the ART021 and West Bund Art and Design fairs opening this week, a guide to the best gallery and museum shows in the city

By Andrew Stooke
Wong Kar-wai, Happy Together, 1997, film still. Courtesy: the artist and Alamy 

From the new issue of frieze: Changes in urban cultures and queer aesthetics across the Sinosphere 

By Francesca Tarocco

Artists' Film - 18 Sep 2016

In anticipation of his new work for Frieze Film, Ming Wong reflects on his 2012 ode to Roman Polanski

Ming Wong, Aku Akan Bertahan / I Will Survive (production still), 2015. Three-channel video installation, running time variable. Courtesy the artist, Vitamin Creative Space, Guangzhou and carlier | gebauer, Berlin
 

Samson Kambalu, Rachel Maclean, Shana Moulton and Ming Wong premiere new commissions

Film
Ming Wong, Aku Akan Bertahan / I Will Survive (production still), 2015. Three-channel video installation, running time variable. Courtesy the artist, Vitamin Creative Space, Guangzhou and carlier | gebauer, Berlin
 

Explorations of identity and gender in a re-working of classic European arthouse cinema

Abdul Abdullah, The Wedding (Conspiracy to Commit), from the series ‘Coming  to Terms’, 2015, chromogenic print, 1 × 2 m

Queensland Art Gallery & Gallery of Modern Art, Brisbane, Australia

By Sophie Knezic
The artist posing in front of Mount Vesuvius, the location for the final scene of Devo Partire. Domani  (I Must Go. Tomorrow) 2010 • Photograph: © Luciano Romano / Napoli Teatro Festival Italia 2010

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan

By Dominic Eichler