Music

Showing results 101-120 of 307

What does the new music genre 'necropolo' reveal about Poland's current political situation? 

BY Krzysztof Kościuczuk |

On the intertwined histories of music, sampling and influence

BY Vivien Goldman |

Ahead of its South London Gallery performance, how Tom Phillips’s Irma – a work that questions the genre of opera itself – is being staged

BY Adam Harper |

From Stravinsky in a car park to concerts in living rooms, how is classical music culture changing? 

BY Adam Harper |

'Romantic, muscular, propulsive': Jace Clayton discusses his tribute to the American minimalist, ahead of its London performance this weekend

BY Robert Barry |

Artist and composer Ari Benjamin Meyers on exhibiting music 

BY Ari Benjamin Meyers AND Pablo Larios |

SoundCloud has been invaluable to the new music community for both documentation and discovery – now the audio-sharing platform is in peril

BY Tim Rutherford-Johnson |

On the anniversary of the 2016 Orlando massacre, Brendan Fernandes reclaims the dancefloor as a site of resistance

BY Ian Bourland |

Remembering the pioneering composer, visionary thinker, multimedia artist and techno-utopian, who died in May

BY Lorenza Pignatti |

What are the implications of documenta 14’s focus on the aural?

BY Sam Thorne |

X-ray records in the Soviet Union

BY Harry Thorne |

Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

BY Josie Thaddeus-Johns |

Rewire Festival and a photography project documenting Den Haag’s underground

BY Robert Barry |

A new album by theatre group Object Collection warns against political nostalgia 

BY Andrew Hultkrans |

From eternal music to the secret of eternal life: what to read this weekend

BY Paul Clinton |

Writer Hari Kunzru speaks about his new novel, White Tears, a timely reflection on race, class and cultural appropriation in the US

BY Dan Fox |

With the reissue of their eponymous debut album, revisiting the career of legendary Berlin art project / punk band Die Tödliche Doris

BY Robert Barry |

Phillip Sollmann’s latest composition pays homage to three distinct and unconventional instrument makers

BY Grayson Revoir |

Recent rereleases from new-age music's 1970s and '80s heyday speak to current social anxieties

BY Nathaniel Budzinski |

Samson Young's multidisciplinary work confronts the ways in which sound can both transcend borders and enforce them

BY Peter Meanwell |