Must-See

A solo show at Yorkshire Sculpture Park sees the artist blend mythology with history to depict the female body as a site of revolt

At the Museum Angewandte Kunst, Frankfurt, the artist’s elusive works defy institutional classification by embracing artistic motion

At Opera Gallery, London, the artist works with charcoal and chiaroscuro to depict a pantheon of deities

In her latest show at Waddington Custot, London, the artist’s triptychs reimagine the sacred through large-scale abstraction 

At Unit Gallery, London, the artist's layered canvases capture platonic love in the youthful heat of the moment

In a new series of paintings at Galerie Max Hetzler, Berlin, the artist reimagines rest as resistance

In her latest solo exhibition at Plan B, Berlin, the artist’s work pushes the boundaries between actuality and abstraction

João Pedro Vale + Nuno Alexandre Ferreira's show at Serralves Villa, Porto, documents the couple’s commitment to celebrating LGBTQ+ identities

The artist’s interactive show at Halle am Berghain, Berlin, prioritizes the collective voice in the retelling of marginalized histories 

Ekow Eshun's expansive group exhibition at The Box, Plymouth, tackles the resistance and creativity of Black figuration

The artist’s latest show at Mithraeum Bloomberg SPACE, London, intertwines myth with history and memory

At Kasmin, New York, the artist’s anthropomorphic vases underline the cultural value of ceramics

The artist’s comprehensive retrospective at Louisiana Museum of Modern, Denmark, pays homage to the visual clarity of photorealism 

In a new exhibition at Perrotin, Paris, the artist's ethereal paintings lure the viewer into a realm of nostalgic escapism

In a new series of paintings at White Cube Mason’s Yard, the artist interrogates the political and social subjugation of women’s bodies down to the bone

At Almine Rech, Brussels, the artist’s laughing figures boldly address consumerism and female vulnerability 

In a new show at Emalin, London, the artist invites viewers to reassess their own preconceptions about what constitutes art