The art world’s ambivalent response to surveillance

Todd Eberle, (Untitled) IBM 1620 Data Processing System, 1968, 1999, photograph. Courtesy: © Todd Eberle

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art?

Rivane Neuenschwander  The Conversation,  2010. Courtesy: the artist; Tanya Bonakdar, New York; Stephen Freidman, London; and Galeria Fortes Vilaça, São Paulo.

On eavesdropping, Muzak and the sound of Bitcoin

‘The Freedom of Speech Itself ’installation view at The Showroom, London, 2012

Forensic listening and juridical speaking