Okwui Enwezor

Raqs Media Collective on their 2017, from a séance with an 18th century automaton-tiger to imagined conversations with Édouard Glissant

Illustration by Lauren Rolwing

What makes us human

Hito Steyerl 'Factory of the Sun' (2015) film still; courtesy: the artist; photograph: Manuel Reinartz

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is


Speaking with the jazz pianist, composer, and performance artist, Jason Moran, on shared interests

Ibrahim El-Salahi, Reborn Sounds of Childhood Dreams 1, 1962–3, oil on canvas, 2.8 × 2.8 cm

Tate Modern and African art

Peter Clarke, Snake Appel-thorn, 1948, included in Dak’Art 2012

The rise and fall of biennials in the Democratic Republic of Congo, Senegal and South Africa

Ahead of dOCUMENTA (13), reflections on the exhibition by its previous curators


Ethics and relativism in an international art world 

Keeping fit, autonomy, disappointment and art criticism

Photography, Africa, dystopian fantasies and ‘the present as a screen’

Illustration by Lauren Rolwing

A celebration of the over-looked, the under-appreciated and the disappeared

International Center of Photography, New York, USA