The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times
This opera wants to know whether memory is scientific or occult. It answers the question by rejecting it.
The Turner Prize-winning photographer’s set design for ENO’s new production asks: can the greatest horror be better communicated by the unseen?
Ahead of its South London Gallery performance, how Tom Phillips’s Irma – a work that questions the genre of opera itself – is being staged
Combustion and digestion in Matthew Barney’s latest work
Poul Ruders' The Handmaid's Tale