Opinion

Amid a carnival atmosphere, Eliasson elicits an emotional reaction to the urgent issues of the day

By Figgy Guyver

From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes

By Amber Butchart

Index on Censorship has launched an initiative to help artists navigate draconian limits on free-speech

By Chris Sharratt

In a film-worthy new memoir, the Berlin art dealer tells of success despite the odds – yet overlooks much

By Kito Nedo
Robert Rauschenberg, Buffalo II (detail), 1964, oil and silkscreen ink on canvas, 2.44 x 1.84 m. Courtesy: 

Sara Sinclair’s new anthology of interviews recalls the parties, the poverty and the ongoing hero worship

By Cal Revely-Calder

The first in a series looking at alternative approaches to biennials 

By Kristian Vistrup Madsen

The video for Swift’s LGBTQ+ anthem is erected on the stereotype of the redneck homophobe

By Nadine Hubbs

Prada’s latest foray into the Chinese market successfully marries art and brand development

By Bohan Qiu

Christina Hesselholdt’s newly-translated book, Vivian, turns the late American photographer’s life into a novel

By Tom Overton

The British Museum’s survey of Japanese comics plunges us into their strange, visionary wonderlands

By Darran Anderson

50 years after it first aired, remembering the television show’s progressive foundational values

By Figgy Guyver

The forthcoming mobile app wants to carry the transactional logic of video games into our unconscious minds

By Gareth Damian Martin