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Opinion

Debates around restitution are breaking up with increasing force against the doors of Europe’s treasure chambers; a new report may prove decisive

By Sean O’Toole

Why the yellow high-visibility vest is a paradoxical symbol for the protest movement roiling France

By Will Wiles

Formerly the Royal Museum for Central Africa, the museum was originally conceived as a showcase for King Leopold II’s personal property: the Congo

By Ellen Mara De Wachter

The New York department store honours a longstanding relationship between contemporary art and window dressing

By Glenn Adamson

‘At the moment it is fashionable to show female artists; we have to make the most of it’

By Lisa Panting and Malin Ståhl

Two London exhibitions by belit sağ address police and military violence committed against Kurdish people in Turkey

By Hettie Judah

‘Others my age with lesser work who were men were being celebrated and collected’

By Lynn Hershman Leeson

It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable

By Vadim Rizov

‘If you’re a woman you learn to live with a certain level of discomfort’

By Julia Peyton-Jones

In a new book, T.J. Clark scours art historical depictions of divinity for clues about our contemporary age

By Shahidha Bari

The Turner Prize-winning photographer’s set design for ENO’s new production asks: can the greatest horror be better communicated by the unseen?

By Matthew McLean

There is no violence in games, only its representation – but a suffragette-beating controversy demonstrates that videogame violence is not without

By Gareth Damian Martin