Opinion

The second of our editors’ first impressions from Kassel, Harry Thorne on the Neue Neue Galerie

What are the implications of documenta 14’s focus on the aural?

With the UK General Election next week, the country’s political parties unveil their respective cultural manifestos

Two recent conferences at MIT and the New Museum reveal the benefits, and pratfalls, of art and science collaborations

Enchantment and contradiction in the first Antarctic Biennale

This year’s Sundance Film Festival featured more movies directed by women than ever before, but gender discrimination in the industry is still endemic

A defence of naivety in the age of information

A new play by Wallace Shawn examines what it means to survive in today’s society

As museums around the world seek to make their collections and displays more inclusive of non-Western art, how are German institutions responding?

A swathe of exhibitions and a new English translation of La Monnaie vivante, Pierre Klossowski’s erotic theory of economics

The solace of Boris Charmatz’s danse de nuit in light of the Manchester atrocity

Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene

Mat Collishaw’s virtual-reality tribute to photo pioneer William Henry Fox Talbot suggests what VR can learn from early photography’s reception

At home in the gallery

On copying, repeating, quoting and joking, Sturtevant & The Salon Pour Rire

A response to some of the responses

Conspiracy theories and reparative reading

Can we compare our current political moment to the tumultuous 1930s?

The final part in a series of our editors’ initial impressions from documenta 14 Athens, Amy Sherlock on the fourth and largest of the main venues

The third in a series of our editors’ initial impressions from documenta 14 Athens, Jennifer Higgie on the Benaki Museum