Opinion

Showing results 261-280 of 710

Short films at the 48th International Film Festival Rotterdam give primacy to music and voice

BY Erika Balsom |

In a recent performance at Kunstmuseum Basel, the artist demonstrates an impressive control of hysteria and hesitancy

BY Chloe Stead |

The politics of postwar couture: a new show at London’s V&A explores Dior’s revolution, alongside his love for British tradition

BY Amber Butchart |

As Italy fights over its ancient past, an exhibition about the lesser-known Severan dynasty carries powerful messages for our present moment

BY Jamie Mackay |

Tate Modern is encouraging visitors to slow down at its major exhibition of the French Post-Impressionist painter

BY Figgy Guyver |

The Italian city’s latest art space is a welcome addition to its booming art scene

BY Barbara Casavecchia |

A new collection of previously uncompiled essays finds a writer poised at the threshold of art and literature

BY Jerome Boyd-Maunsell |

This year’s edition presented an eclectic, international and historical programme that comprised more than 100 screenings and events in the city

BY Mimi Chu |

With drastic layoffs at online publications, there’s uncertainty not only about digital journalism – but today’s internet as we know it

BY Orit Gat |

A newly-translated book by Heike Geissler chronicles the life of a warehouse worker

BY Tom Overton |

‘A Time for New Dreams’ at London’s Serpentine Sackler Gallery transcends fashion, offering insights into Wales Bonner’s influences across art and literature

BY Ellen Mara De Wachter |

In a medium where ‘flow’ and ‘golden moments’ are designers’ goals, the elegiac ‘Vane’ is decidedly not like other games

BY Gareth Damian Martin |

A century on, the Viennese master’s paintings and drawings still lay life bare: the angst, thrill, the thrum of flesh

BY Meara Sharma |

Outer space is not an open field for experimentation and development but a medium for the circulation of information

BY Nicole Miller |

The way in which we talk about these accolades tends to hyperbole; artworks are not created in a financial vacuum

BY Helen Charman |

The razor giant is asking its consumers to examine their supposed misogyny, without actually exploring where ideals of ‘best-ness’ arise

BY Rajat Singh |

Federal museums ensure that art is not merely the purview of the leisured class; the impasse is an abdication of that responsibility

BY Ian Bourland |

100 years on from World War I, the filmmaker’s latest work Mimesis: African Soldier remembers the faces we seldom see in history books

BY Osei Bonsu |

Love, betrayal and grief: the late Cuban artist’s first US museum retrospective reveals the full range of her powers

BY Natalie Haddad |