At CAPC musée d'art contemporain de Bordeaux, the artist’s wooden works commemorate the links between the region’s wine industry and its colonial history
For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people
In ‘Bronzed from Silver’ at Sans Titre (2016), Paris, the artist’s hybrid metal works explores how the body serves as a tool for cultural identification