Pablo Larios

Pablo Larios highlights the damaging effects of network fatigue in contemporary art 

On the odd fraternity between investor Peter Thiel and literary theorist René Girard

‘The past must be enriched’: An interview with leading French sociologists Luc Boltanski and Arnaud Esquerre

At Ujazdowski Castle, Warsaw, Simon’s art is a prescient critique of art-making itself

An exhibition exploring the enigmatic artist’s ‘portable studios’

The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi

The best of the off-site and collateral exhibitions during the 58th Venice Biennale

This specially-commissioned visual essay by Tony Cokes draws from theorist Kodwo Eshun’s moving epitaph for his friend, the critic Mark Fisher

At Berlin’s Galerie Neu, a small triumph for nightlife anti-hero Daniel Pflumm, his first show at the gallery in 15 years

On the centenary of its founding in Weimar, ‘bauhaus imaginista’, which takes place in eleven countries, revisits the Bauhaus with an eye to global experiments in radical artistic pedagogy

‘The salient factor wasn’t ever its printedness; Dot Dot Dot just took its own form seriously to think about things we see and how’

For more than 50 years, the artist has used conceptual art to examine the inherently political nature of information

Art and culture have a role in describing the unevenness of the world: where do we go from here?

Two exhibitions in Tokyo celebrate the 50th anniversary of the artist's death and bring the frictions between Western and Eastern painting to light

A first report from the 10th Berlin Biennale

On the occasion of her MoMA retrospective, six missives to the artist from her peers

From a collection from Seth Siegelaub’s archive to a photography show in an artist’s home, your guide to the best shows around town

For the three-day event in the UAE, the best works and talks were ones in which geographical and cultural hybridity shone through

With her first major solo exhibition in the UK, the US filmmaker Ericka Beckman speaks about video games, socialist Monopoly and breaking rules

At Schiefe Zähne, Berlin, the artist creates an inventory of values we privately sustain but rarely admit