Pablo Larios

‘The past must be enriched’: An interview with leading French sociologists Luc Boltanski and Arnaud Esquerre

By Pablo Larios, Luc Boltanski and Arnaud Esquerre

At Ujazdowski Castle, Warsaw, Simon’s art is a prescient critique of art-making itself

By Pablo Larios

An exhibition exploring the enigmatic artist’s ‘portable studios’

By Pablo Larios

The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi

By frieze

The best of the off-site and collateral exhibitions during the 58th Venice Biennale

By Pablo Larios

This specially-commissioned visual essay by Tony Cokes draws from theorist Kodwo Eshun’s moving epitaph for his friend, the critic Mark Fisher

By Tony Cokes

At Berlin’s Galerie Neu, a small triumph for nightlife anti-hero Daniel Pflumm, his first show at the gallery in 15 years

By Pablo Larios
Luca Frei, Design for Pillows, 2017, gouache, pencil and collage on foamcore, 100 × 70 × 3 cm. Courtesy: the artist and Galerie Barbara Wien, Berlin; photograph: Karl Isakson

On the centenary of its founding in Weimar, ‘bauhaus imaginista’, which takes place in eleven countries, revisits the Bauhaus with an eye to global experiments in radical artistic pedagogy

By Pablo Larios
Cover of Dot Dot Dot #9, 2005

‘The salient factor wasn’t ever its printedness; Dot Dot Dot just took its own form seriously to think about things we see and how’

By Pablo Larios

For more than 50 years, the artist has used conceptual art to examine the inherently political nature of information

By Pablo Larios

Art and culture have a role in describing the unevenness of the world: where do we go from here?

By Amy Sherlock and Pablo Larios

Two exhibitions in Tokyo celebrate the 50th anniversary of the artist's death and bring the frictions between Western and Eastern painting to light

By Pablo Larios