Pablo Larios

In praise of the inventive brilliance of the late Guy Davenport 

KOW, Berlin, Germany 

Aaron Flint Jamison, Iron Lady, 2017, letterpressed folio, 14 x 23cm, edition of 18. Courtesy: Galerie Max Mayer, Düsseldorf

Galerie Max Mayer, Düsseldorf, Germany

Cal Revely-Calder wins the 2017 prize for his review of Dom Sylvester Houédard's exhibition 'Typestracts'

Artist and composer Ari Benjamin Meyers on exhibiting music 

By and
Stephan Dillemuth, ‘Sound and Smoke – a Revue in Pictures’, 2017, installation view, Künstlerhaus, Halle für Kunst & Medien, Graz

Künstlerhaus, Halle für Kunst & Medien, Graz, Austria

Does an automaton-filled future spell the end of work, of life? A report from the future-focused Vienna Biennale 2017

For the first in a series of our editors’ initial impressions from documenta 14 Kassel, Pablo Larios on the Neue Galerie

The best of the National Pavilions across the city and the Fondazione Prada’s intricate, collaborative exhibition

Dara Friedman, Dichter, 2017, four-channel video projection,16mm film transferred to HD video, color, sound. Courtesy the artist and Supportico Lopez, Berlin
 

Supportico Lopez, Berlin, Germany

Ahead of Art Cologne this week, a guide to the best current shows in the city

For the first in a series of our editors’ initial impressions from documenta 14 Athens, Pablo Larios takes a look at the ASFA