Does an automaton-filled future spell the end of work, of life? A report from the future-focused Vienna Biennale 2017
For the first in a series of our editors’ initial impressions from documenta 14 Kassel, Pablo Larios on the Neue Galerie
The best of the National Pavilions across the city and the Fondazione Prada’s intricate, collaborative exhibition
Supportico Lopez, Berlin, Germany
Ahead of Art Cologne this week, a guide to the best current shows in the city
For the first in a series of our editors’ initial impressions from documenta 14 Athens, Pablo Larios takes a look at the ASFA
Hamburger Bahnhof, Berlin
This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries
How should the artistic community respond when an art space, explicitly or implicitly, associates itself with right-wing sentiment?
Is a shipping container a good metaphor for a white cube, or vice versa?
Centre d'Art Contemporain, Geneva
From Donald Trump's post-truth to Andy Warhol's philosophy, and back again