Pier Paolo Pasolini

Q: What do you wish you knew? A: How to build a time machine

By Bouchra Khalili

Ahead of the 9th Liverpool Biennial, the Dubai-based trio share a selection of important images

By ​Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian

Roberto Rossellini, Ousmane Sembène and an inverted atlas

By Bouchra Khalili
Pier Paolo Pasolini, Teorema (Theorem), 1968 film still. Courtesy: BFI, London.

From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair

By Ara H. Merjian
The artist posing in front of Mount Vesuvius, the location for the final scene of Devo Partire. Domani  (I Must Go. Tomorrow) 2010 • Photograph: © Luciano Romano / Napoli Teatro Festival Italia 2010

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples.

By Dominic Eichler
Maurizio Cattelan, Bidibidobidiboo, 1995. Stuffed squirrel, mixed media, 58 x 58 x 58 cm. 

Palazzo Grassi, Venice, Italy

By Sonia Campagnola