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Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

Theaster Gates and The Black Monks of Mississippi, St. Laurence Church, 2014. Courtesy: the artist; photograph: Sara Pooley

Theaster Gates & The Black Monks of Mississippi’s latest project for IHME Festival, Helsinki

Egyptian surrealism: a case-study in global modernity 

The lead in The Handmaiden, Kim Min-hee is proving to be the most interesting Korean actor for some time

E.S.P. TV’s Corporate Theatre

The work of filmmaker James N. Kienitz Wilkins on the occasion of his inclusion in the 2017 Whitney Biennial film programme

With the reissue of their eponymous debut album, revisiting the career of legendary Berlin art project / punk band Die Tödliche Doris

It’s time that the extraordinary life and work of Anya Berger was acknowledged

Phillip Sollmann’s latest composition pays homage to three distinct and unconventional instrument makers

Eric Wesley's latest project, burritos and the search for Middle America

A series of installations and a new LP from artist, composer and percussionist Eli Keszler

The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture