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Reflections, a favourite verse, and a new poem dedicated to one of the English language’s most renowned poets of the past century

By Multiple Authors

Remembering the artist whose occultist experiments transformed her body and biography into art 

Martín Ramírez, Untitled (Horse and Rider with Frieze), undated, gouache, coloured pencil and graphite on pieced paper, 89 × 61 cm. Courtesy: the estate of Martín Ramírez and Ricco/Maresca Gallery, New York. Collection of Jim Nutt and Gladys Nilsson

A letter to the self-taught Mexican artist

The extraordinary life of the late, great, gallerist and collector Alexander Iolas

Friends and mentors of the artist Khadija Saye pay tribute to an extraordinary talent

By , and

On the anniversary of the 2016 Orlando massacre, Brendan Fernandes reclaims the dancefloor as a site of resistance

The winner of the British Journal of Photography International Photography Award 2017 talks about the ethics of documenting the migration crisis

On the socially committed architecture of Diébédo Francis Kéré, winner of this year’s Serpentine Pavilion commission

Remembering the pioneering composer, visionary thinker, multimedia artist and techno-utopian, who died in May

A recent retrospective at the Museo Ettore Fico in Turin establishes the overlooked importance of a ‘total artist’

Ariel Pink and Matt Fishbeck perfroming at aFast Friends Inc. show, Los Angeles. Photograph: Eli Langer

Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

Theaster Gates and The Black Monks of Mississippi, St. Laurence Church, 2014. Courtesy: the artist; photograph: Sara Pooley

Theaster Gates & The Black Monks of Mississippi’s latest project for IHME Festival, Helsinki