Profile

Working across art, design and architecture, the trio make community-focused work that aims to have a long-term impact on an area and its inhabitants

For the artist, critic and teacher, who died last week at the age of 67, every ordinary thing held meaning in disguise

From climate-resistant menus to colonial desserts, Cooking Sections ask us to think again about the ethics and economics of the food on our plates

In Soskolne’s first show in nearly two decades, at New York’s Mishkin Gallery, the artist-activist takes on male networks and The Real Housewives of New York City

The artist, curator, educator and writer, who died on 30 June, was committed to supporting South Africa’s younger artists

Ian Bourland profiles one of the leading gallerists of the East Village scene of the 1980s

Prada’s latest foray into the Chinese market successfully marries art and brand development

From the High Line Plinth to the Whitney Biennial and the Guggenheim, the artist’s sculptures celebrate the architecture of the Black female body

Ian F. Martin traces the life and career of the pioneering Japanese musician, on the 50th anniversary of his first record

The poet Kevin Killian remembers the artist’s ‘knowing, malicious but ultimately magical gaze’

The artist’s new show at Triangle, Marseille, explores mobility and its limitations

The late pop maverick was influenced by sources as diverse as Jacques Brel, Swedish cinema and Sibelius

A tribute to the late curator and his belief in the primacy of documentation

In the artist’s exhibition at Centre Pompidou, materials are laced with humour and sexual innuendo

Sound and light as means of order and control melt into signifiers of rebellion and counter-culture in Rodeh’s immersive installations

A musician with a rare ability to write both great pop songs and deeply experimental and melancholy music

From Myspace aesthetics to Backpack Kid, entering London’s narrative projects feels like stumbling into an online echo chamber

Looking back at the intimate musical language of Luc Ferrari (1929-2005), who employed cinematic methods in the service of quotidian storytelling

Hiller’s discomfort towards dominant narratives made her look at all sorts of suppressed subjects, from outlaw cowgirls to protest songs

The artist’s films at Camden Arts Centre evoke anxiety in the face of world events and the tenderness of collective living