Review

Robert Breer, Untitled, 1971, color pencil and felt-pen on paper, 30 x 45 cm. Courtesy: Simon Preston Gallery, New York

Simon Preston Gallery, New York, USA

Charles Burchfield, Summer, 1926, watercolor gouache, charcoal, and pencil on joined paper, mounted to board, 62 x 74 cm. Courtesy: The Charles E. Burchfield Foundation, Courtesy DC Moore Gallery, New York and Metro Pictures, New York

Metro Pictures, New York, USA

 

‘Neither’, 2017, installation view, Mendes Wood DM, Brussels

Mendes Wood DM, Brussels, Belgium

Collezione Maramotti, Reggio Emilia, Italy

Galerie Emanuel Layr, Vienna, Austria

Jason Rhoades, My Madinah. In pursuit of my ermitage..., 2004, mixed media, dimensions variable. Courtesy: Hauser & Wirth Los Angeles, The Estate of Jason Rhoades and David Zwirner; photograph: Fredrik Nilsen

Hauser & Wirth, Los Angeles, USA

Stephan Janitsky, P.o.W. (clean/dirty), 2017, oil and pastels on canvas, site specific. Courtesy: the artist and Prince of Wales, Munich

Prince of Wales, Munich, Germany

Pierre Guyotat, Le Livre, 1979. Courtesy: Editions Gallimard, Collection Bibliothèque nationale de France and Cabinet, London

Cabinet, London, UK

Camilla Steinum, Determined Nap, 2017, wool and metal, 127 x 183 x 200 cm. Courtesy: Soy Capitán, Berlin

Soy Capitán, Berlin

Jaki Irvine, installation view of 'If the Ground Should Open…. ', 2016, 8 channel HD video, black & white. Courtesy: Frith Street, London

Frith Street Gallery, London, UK

David Zwirner, New York

Margaret Corcoran, Aspasia, 2017, watercolour on paper, 38 x 45 cm. Courtesy: Kevin Kavanagh, Dublin

Kevin Kavanagh, Dublin