Review

In her first Vienna solo, the artist blends understated textures, austere tones and bold gestures to a satisfying, yet elusive, effect

A retrospective at Munich’s Museum Brandhorst charts the artist’s career from the 1980s to the present, from ‘fem-trash’ figures to abstract forms

At Schloss, Oslo – located in a former Porsche workshop – car windows becomes canvases for mystical scenes of origins and afterlives

A beautifully spare presentation at Lomex, New York, uses a tangle of haberdashery-esque materials to invoke transcedent scenes

The Cherokee/Choctaw artist explores the contemporary possibilities of Indigenous art at Denver Art Museum

Dating from 1949 to the early 1960s, the works which grace the stately home feel comfortable in the ostentatious pomp of its baroque interiors

At Berlin’s Zilberman Gallery, reflections on the power asserted by technological progress: can anyone make it stop?

Michel Auder’s show at Martos, reminds us why, despite the optimists, art was never going to find its raison d'être under the current regime

In ‘Clothes Line’, at London’s White Rainbow, the artist explores improvisation, social groups and the minute fluctuations of the day to day 

On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

‘Art is not CNN,’ says Banu Cennetoğlu – new works produced with London’s Chisenhale Gallery ask: are you paying enough attention?

Works from the Pinault collection in the newly-renovated Couvent des Jacobins, Rennes, revisit the crises of the 20th century 

The artist shows a muscular blend of figuration and abstraction at Galerie Lelong & Co., New York, and Philadelphia Fabric Workshop and Museum

The artist brings subtle grandeur to Dortmunder Kunstverein with a series of luxuriant installations, alluding to pleasure, pain and transcendence

Held across three Baltic cities for the first time, why did this edition make no attempt to say something to – or about – its host region?

The Australian artist’s first institutional show at Artspace Sydney includes a library, a meeting place and workshops on ‘mindful eating’

Works by Ryan Gander and Rehana Zaman showed it was the people of Liverpool who formed a thread through some of the most successful projects

At Lehmann Maupin, New York, the artist's immersive installation and paintings from the 1970s commemorate forgotten indigenous histories

At Piper Keys, London, the artist and musician shows intimate depictions of domestic labour

At Focal Point Gallery, video-maker Ed Webb-Ingall and The British Free Cinema remind us how quickly our civil liberties can be taken away