Review

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A recent exhibition at Carlos/Ishikawa, London, conjured an experience of being controlled within a carceral capitalist state

BY Matthew McLean |

In a retrospective at MAMCO, Geneva, rigour is underscored by play

BY Anya Harrison |

A major retrospective at Dresden’s Albertinum sheds new light on the artist’s relationship with his hometown

BY Sarah E. James |

The artist’s show at Tramps, New York, asks if we’re too eager for young artists to self-destruct

BY Rainer Diana Hamilton |

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

BY Ana Vukadin |

A retrospective at Museum of Contemporary Art Tokyo struggles to convey the collective’s energy and impact 

BY Andrew Maerkle |

How the recently restored Abraham’s Farewell to Ishmael, on view at the Pérez Art Museum, Miami, speaks to the Israeli-Palestinian conflict

BY Monica Uszerowicz |

A recent show at London’s Cecilia Brunson Projects allowed the late artist to speak for himself

BY ​Rebecca Jagoe |

At Marta Cervera, Madrid, the artist conjures up survival mechanisms and congealed debris

BY Lorena Muñoz-Alonso |

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

BY Travis Diehl |

The artist’s first exhibition at DREI, Cologne, reflects on the social implications of everyday objects and the permanent switching between self and role

BY Moritz Scheper |

At the Blaffer Art Museum, Houston, the artist screens the lost films of a Hollywood huckster, a reminder that the media industry runs on broken dreams

BY William Harris |

At the Morgan Library and Museum, New York, the artist’s photographs of words and light receive their due

BY Evan Moffitt |

At Parker Gallery, Los Angeles, the 80-year-old ‘professor emeritus’ presents new works as dazzling and personal as ever

BY ​Juliana Halpert |

The artist’s exhibition at Marian Goodman Gallery, London, seems to mirror the evanescent nature of experience

BY Sean Burns |

At Converso, Milan, the artist transforms a baroque church into a playground for sculptural interventions

BY Barbara Casavecchia |

A recent exhibition at Jenny’s from one of Los Angeles’s most elusive artists

BY Gracie Hadland |

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

BY Ren Ebel |

Nicole Gravier’s ‘fotoromanzi’ at Ermes-Ermes, Vienna, create an escapist melodrama that stresses the dependence of capitalism on unpaid housework by women

BY Max L. Feldman |

At the Hirshhorn Museum in Washington, DC, Steir synthesizes two dominant modes of American painting: abstract expressionism and minimalism

BY Dereck Stafford Mangus |